Friday, September 11, 2020

Hellraiser (1987)

In romance fiction, there is very little that could be considered conflict. Therefore, S&M is sometimes used as seasoning for an otherwise bland dish. Take out everything but the seasoning and you have Hellraiser.

This is one of those movies I watched in my college apartment before I realized the value of headphones. If you had passed my door late one night, you might have heard a mix of screams, rattling chains, and raspy moaning. A neighbor complained of me playing World of Warcraft. (A less lascivious assumption than could have been made.)

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Thursday, July 9, 2020

The Phantom of the Opera (2004)

Hack though he is, Joel Schumacher can occasionally turn out an okay film. The Phantom of the Opera is less of a Batman-level war crime and more of a border skirmish, with an old boring book that nobody read on one side, and Andrew Lloyd Webber’s famed rock opera on the other.

Schumacher’s interpretation is mostly faithful to the Broadway show. The characters sing, the costumes are extravagant, and the physical acting is as operatic as you could ask for. In a word, the film is epic. Epic characters, epic drama, epic emotions.

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Tuesday, June 23, 2020

Bone Tomahawk (2015)

It has been said that films are not timeless but timely. Bone Tomahawk knows exactly what it is and when it is, making it as timely as a Quentin Tarantino film.

S. Craig Zahler’s feature directorial debut is a dark film that dances around the edge of the “weird west” genre without going all the way in. It doesn’t have heavy doses of other genres. It does have Kurt Russell, tomahawks, and bones. It’s pretty good.

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Sunday, June 21, 2020

The Last Days on Mars (2013)

The Last Days on Mars is a mid-size action sci-fi film in the typical niche of such fare, a niche which this critic is no stranger to. We used to call them “summer movies”. Now they’re called historical artifacts.

Zombies are once again on Mars. Terraforming hasn’t happened yet, and the space suits actually look like they work. Space zombies presented as hard science may be a hard sell for some people, but if you want to see the details of the space zombie fungus, the Mars habitats, and all the other cool space visuals, this movie was made for you.

2013 was a strange year for film.

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Wednesday, June 3, 2020

Ghosts of Mars (2001)

Ghosts of Mars is a heavy metal lullaby from the mind of an oldschool filmmaker. This was John Carpenter’s hardest thrust at the sci-fi genre.

There are some big names in it, notably Jason Statham, Ice Cube, and B-movie queen Pam Grier. John Carpenter has excellent taste in talent, but his taste in sci-fi is questionable. This talent either belongs in an oldschool exploitation movie or a more straightforward, linear, brightly-lit sci-fi flick. Trying to meet in the middle with a Halloween-in-space premise is a recipe for disappointment.

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