Friday, June 26, 2020
Revenge (2017)
Revenge is a “revenge” film. It can be compared to the seminal I Spit on Your Grave (1978), but a more accurate comparison would be to Kill Bill: Volume 1 (2003). With its stylish cinematography and unrelenting exploitation atmosphere, Revenge delivers the promised goods topped with a generous helping of blood.
The film builds its tension slowly and only becomes shoot-em-up schlock in the final sequence. This is perfect pacing for sci-fi fans, and it’s no surprise considering Fargeat previously made a sci-fi short called Reality+ (2014).
Tuesday, June 23, 2020
Bone Tomahawk (2015)
It has been said that films are not timeless but timely. Bone Tomahawk knows exactly what it is and when it is, making it as timely as a Quentin Tarantino film.
S. Craig Zahler’s feature directorial debut is a dark film that dances around the edge of the “weird west” genre without going all the way in. It doesn’t have heavy doses of other genres. It does have Kurt Russell, tomahawks, and bones. It’s pretty good.
Sunday, June 21, 2020
The Last Days on Mars (2013)
The Last Days on Mars is a mid-size action sci-fi film in the typical niche of such fare, a niche which this critic is no stranger to. We used to call them “summer movies”. Now they’re called historical artifacts.
Zombies are once again on Mars. Terraforming hasn’t happened yet, and the space suits actually look like they work. Space zombies presented as hard science may be a hard sell for some people, but if you want to see the details of the space zombie fungus, the Mars habitats, and all the other cool space visuals, this movie was made for you.
2013 was a strange year for film.
Wednesday, June 3, 2020
Ghosts of Mars (2001)
Ghosts of Mars is a heavy metal lullaby from the mind of an oldschool filmmaker. This was John Carpenter’s hardest thrust at the sci-fi genre.
There are some big names in it, notably Jason Statham, Ice Cube, and B-movie queen Pam Grier. John Carpenter has excellent taste in talent, but his taste in sci-fi is questionable. This talent either belongs in an oldschool exploitation movie or a more straightforward, linear, brightly-lit sci-fi flick. Trying to meet in the middle with a Halloween-in-space premise is a recipe for disappointment.
Saturday, May 2, 2020
Eragon (2006)
I try to avoid talking about over-hyped films, not because I hate those films but because the conversation there is overcrowded. A couple of masterpieces came out last year that I won’t talk about for that reason. For other reasons, I don’t have much to talk about with the films of this year. I can talk about the politics of the situation, but not the films because I haven’t seen any.
So let’s go back a few years to a film that I inevitably must tear into sooner or later. I have genuine difficulty saying negative things about films due to my appreciation of the medium, and I only really hate the ones that are both terrible and profitable. Eragon was fraud on a grand scale.