Monday, July 19, 2021
Melancholia (2011)
Melancholia is a senior-safe introduction to Lars von Trier. If you’ve been living under a rock and don’t know who he is, von Trier is a filmmaker from the distant land of Germany who is known for boundary-pushing avant-garde cinema. Most of his films are released unrated to cinephile audiences. This is one of the exceptions.
Melancholia was released America-style mainstream for whiskey-drinking simpletons. It has few “genre” elements and stays within the self-imposed prison of the “drama” category through most of the film. There is some sci-fi brewing in the background, but 95% of the film could play for a geriatric home.
Saturday, May 29, 2021
Trancers 4: Jack of Swords (1994)
The first three Trancers show a fall from greatness as legendary hero Jack Deth moves into retirement. Trancers 4 and 5 were shot back-to-back and pick up where the trilogy left off. I divide the series like so because of the radical shift the latter films represent, not just in Trancers but in moving pictures on the whole.
The whole outsourcing situation with lower budgets and broken dreams is par for the course with Chuck Band’s later work. This was the start of that. With Trancers 4, the audience got an interesting medieval experience. Whether or not it was good for business, I don’t know.
Wednesday, April 28, 2021
Looker (1981)
Here’s another sci-fi movie I think is cool. If you’re a fan of Michael Crichton’s concepts but not his writing, this one is both hit and miss. It feels like a slower version of Timeline (2003). Watch it. It’s good.
Saturday, April 24, 2021
Trancers (1984)
Enter a better time: a vision of the future from the past. 1980s grunge meets pseudo-cyberpunk. It is the future foretold by video games, whose sensibilities are industrial brutalism of metal and stone, a world where might makes right and even Klingon weaponry cannot compete with the ultimate weapon from the great halls of science: time. Yes, time, the final frontier.
Trancers is an interesting artifact. It comes from Empire Pictures (Full Moon Video’s theatrical predecessor), which Chuck Band sold to MGM in 2020. This means MGM owns Trancers. All business aside, the chemistry between stars Tim Thomerson and Helen Hunt is so beautiful that even the questionable sequels have sublime moments. No matter how stupid the scripts got, the above-average cast always gave it their all. The series as a whole is highly recommended.