Monday, August 16, 2021
Kill Bill: Vol. 1 (2003)
This film really stands out. It’s not pure action, it’s not a character study, it’s not beholden to a specific genre. I can be entertained by a number of things, but to be this entertained takes something beyond typical well-received cinema.
I can enjoy this film despite it having no personal significance to me. My appreciation of it does not depend on external circumstances. This is a mainstream popcorn flick, and it’s also culturally significant and a work of art. Peak Tarantino content.
Tuesday, August 10, 2021
Jackie Brown (1997)
A tightly-woven story, great technical filmcraft, and more superstar actors than you can shake a .45 at, all within a $12 million budget. You just don’t see this kind of movie anymore.
Monday, July 19, 2021
Melancholia (2011)
Melancholia is a senior-safe introduction to Lars von Trier. If you’ve been living under a rock and don’t know who he is, von Trier is a filmmaker from the distant land of Germany who is known for boundary-pushing avant-garde cinema. Most of his films are released unrated to cinephile audiences. This is one of the exceptions.
Melancholia was released America-style mainstream for whiskey-drinking simpletons. It has few “genre” elements and stays within the self-imposed prison of the “drama” category through most of the film. There is some sci-fi brewing in the background, but 95% of the film could play for a geriatric home.
Saturday, April 3, 2021
Cosmopolis (2011)
The core of the film is the star traveling to his haircut. He knows a barber that gives a certain honest kind of haircut that he can’t find on his end of town, and not even riots nor the president’s motorcade will stop him from getting that haircut. Because he’s Robert Pattinson.
It all sounds familiar, doesn’t it? You might think (as people often do) that Cronenberg saw the future, but in this case, the film was based on a 2003 novel. I can’t speak for the book, but the film is worth watching, and then watching again, and again.